With a revealing title
such as University Girls I already had an idea on what this film was going to
be about and it did not disappoint my suppositions. However I found script writer, producer and director Mina Mina's angle of approach somewhat refreshing.
Rather than go through the overused Nollywood pattern of poor girl transformed
by circumstance, the main lead Julie is rather a lazy girl avid for materialism
and an easy life. Despite her extremely modest background she abhors poverty
and languishes for selfish and money-oriented. The viewer is drawn in by good
quality images and some attempts at creative frame/composition, camera angles
and pleasant sound score to follow Julie's journey in the search of a 'better
existence'. I would not really say there was any remarkable directorial style
but what was noticeable was the attempt to capture and keep Julie and the other
characters as basic as possible. I found Pascaline the 'big girl wanna-be' very
interesting and she did get me to laugh in some instances, main lead Julie essayed
by Adela Elad was convincing. There was evident effort in
the acting but the Slayer in
the movie was the dialogue delivery which was mechanical and somewhat
recital-like with overly timed entries and dead moments. The transitions
between shots and connecting scenes were jagged and some handheld camera
movements made one conscious of the film technicality consequently even though
briefly, disconnecting the viewer from the story. All in all the story was
neatly packaged and makes for an interesting watch. I must confess for some
strange reason this is the first Anglophone Cameroonian film I have watched twice
over and believe me that is something! I will not give any detailed synopsis
here 'cause I believe the title is already too revealing as it is. Now it's
your turn to purchase it, watch it and come tell me what you thought of the
film.
I talk Anglophone Cameroon Films, Bollywood, Hollywood, Nollywood and what ever 'wood' or showbiz item that peaks my curiosity.
Thursday, 7 August 2014
Shembeh
From a Fulani geographical and socio-cultural
context comes Shembeh a simple
love story. Honestly, I was duly impressed with the general production concept
(locations and costumes etc). It was decently captivated by director Cosson Chinepoh whose picture composition
exploited the scenery offered by the uphill locations(eventhough I feel he gets
carried away by the scenery to the detriment of the narration). Producers Nfor Lawrence Nfor and Mubuhwa Kingsley should be commended
for taking this bold step and engaging in this production. Most impressive to
me were the actors, not so much in their dialogue delivery but in their horse
riding capabilities. Hats off to the main lead Shembeh (Sende Bende) who rode like a pro. The story is well contextualized
into the Fulani social and cultural way of life but I find the directors
narration weak and disjointed in several instances. The Slayer in this movie is
the lighting and picture quality, in some indoor scenes we just don't get to
see anything at all, then i would have loved the incorporation of real Fulani
people in the set up. I also think the story was overly slow paced and some
scenes and plot points pulled on way longer
than was necessary. The rhythm could inadvertently distract the viewer or cause
probable drowsiness but all in all its a commendable effort. Another let down
is the fact that it's a two part film which could clearly be compressed in just
one part.
Synopsis
Shembeh loves Salifuh the handsome horse
racer, but wealthy Vondeh has his eyes set on her and offers a dowry Shembeh's
brothers and father cannot refuse. Consequently Shembeh goes under house arrest
as her family prepares to forcefully marry her to an over confident Vondeh much
to Salifuh and Shembeh's sister's dismay. With several attempts to free Shembeh
resulting to naught Is the love story between Shembeh and Salifuh feasible?
Watch and tell me what you think.
Different Kinds Of Men
It's been long coming and there have been several attempts to replicate the
famous Hollywood flick Sex and the City and Different
Kinds of Men is yet another African and specifically Cameroonian
take of the complexities of womanhood and relationships. The inspiration in
this film reeks not only the Sarah Jessica Parker starrer but also digs from
the African American serial Single Ladies. Director Achiri
Mathurin in a basic and subtle style narrates the tale of four ladies
and the men in their lives. The picture quality and composition per shot, the
camera angles are noteworthy support and emphasis to the narration. The story
and concept very relatable, the acting a mixture of Yay and Nay, some
mechanical and plastic others quite natural. I am still baffled how in spite of
being so close and open with each other they had never seen Vicky's husband,
that was a script faux-pas right there. The costumes were trendy but not very
appropriate to the contextual setting of the story (I personally thought their
outfits were too short for married women and I wonder what their in-laws
thought of it),there was a pool scene which was a little upsetting with one of
the ladies strutting an under size bikini, then I was personally
uncomfortable with the bad weave one of the 'money making independent woman'
character was sporting (Lets see if you can identify which character it was,
watch and hit me back) but other than that make up was good, no exaggerations.
Now the Slayer in this movie...the characters are
apparently all 'bushfallers' but for one and mennnnn!!! the attempt at an
american accent killed the beauty of this film. It was all over the place and
all WRONG! It gets you cringing even when the story is beguiling. They could
have worked on it better, the diction for some was just embarrassing.
Synopsis
So we are introduced into world of four beautiful women (married and
unmarried) and the complexities and challenges they face in their relationship
with the different men in their lives. Diane exposes us to the dynamics and
risks in long distance marriages as she affronts the challenges of being
married yet because of career choices her hubby is more of visitor than
resident; Brenda is confounded in a marriage laced with verbal and
psychological abuse where a partner brings down the other constantly to cover
up insecurities and shady secrets, Emmy displays the 'contemporal' concept of
singlehood characterized by an unabashed sexuality and Vicky ephemerally contrasts
the mayhem with a relationship based on trust and love in spite of distance,
work and surrounding enticements. Now I can't say more than this but I tell you
there is a girl fight scene which is laudably executed and you may not want to
miss. Of all the couples too I commend the Yannick and Diane pair, they were
the most believable with a perceivable chemistry and inter-actor comfort
levels. Now you go watch this Living Dreams Entertainment production
and tell me what you think about the movie.
Whispers
When this film received several nominations at
the first edition of SONAH awards and bagging some awards too, my curiosity was triggered
and I knew I would find no peace till I had my hands and eyes on producer Arthur Iyok's Whispers. As the film
begins, the first thing that grips your attention is the obvious and undeniable
high picture quality, at the first couple of shots, picture composition, camera
movements director Enah Johnscott
affirms Anglophone Cameroonians are beginning to sit up as far as film
production is concerned. Though seemingly 'banal' the cinematography reeks of an
attempt at stylistic directorial and a
subjective perspective which is evident in the rhythm and pace conditioned by
the films' editing. There are laudable special effects to garnish the paraphernalia
of technological savvy-ness amongst Anglophone film technicians even though I thought
it unnecessary in certain areas. The background score and sound effects are commendable,
same as dialogue sound capturing where the echoes were barely noticeable and
ambient sounds were balanced admirably. The slayer factor however alights at
the level of the narration and the story, which doused somewhat the technically
commendable rendition of a very current topic or subject matter. The story and concept
on which it was based I felt was not amply exploited consequently I found the
story and screenplay unfortunately very weak plagued with unnecessary scenes.
The acting wavered between a mixture of good, not so good, plastic, over acting
and downright bad. Nevertheless, , is worth the watch if for nothing but the quality
and some directorial sense of style and technique which is a novelty in
Anglophone films.
Synopsis
In a nutshell the film is about young people
avid for success who sell their souls and loved ones for money. This wealth
comes with dire and inhumane conditions which they must comply to robbing them
of all the peace and joy the money was supposed to procure. What I appreciate
about the story nevertheless is the approach of the unfortunately popular trend of "Live
Rich Die Young" amongst youths from the consequences, not just showcasing
the wealth and its attributes but the sorrow and pain that accompanied the
choices made by the characters.
Let me hear your views on the film.
A Little Lie A Little Kill
The term 'film Noir' and its defining
parameters is still an active global debate in film theoretical circles, nevertheless,
director Tebo Njei aligning with the
dark picture composition, crime and victim of circumstance aura identifiable in the film noir concept, unabashedly announces this attempt as the
first Anglophone Cameroon film noir. A
Little Lie A Little Kill set in Buea (South West Region of Cameroon) engages its audience in a
tale of love, friendship, betrayal and crime. Now while I don't know if indeed it's
the first film noir but I sure do know this Cameroonian film captivated my
attention. The technique and intricacies in narration espoused by the director
is laudable, even though the acting prowess was quite lacking in some
characters and doused the excitement somewhat; the dialogues are fair same as
the location, sets and props. The cinematography indicates a thought process
and an attempt at carving a personal directorial style which was sometimes
challenged by the sound capturing and mixing (some of the background score was unnecessary). The story is indeed intriguing and captivating and the screenplay well penned but the conclusion I found depressing and I think could have been addressed differently for some realism. Nevertheless, its a well scripted film. All in all I didn't feel the urge at any point to eject the CD from my DVD
player in anger and break it as has been the case with countless other
Anglophone Video films. Rather, I was impressed, it's an Ivan Nname production and I recommend it to all those avid to support
Anglophone Cameroon film production.
Synopsis
Gerald accidentally meets Charlotte and falls for her even though they both have people in their lives. Gerald's fiancée Helen (who by the way is a thrill to watch) will stop at nothing to keep him under control, while Charlotte's crazy boyfriend (whom I found funny at some instances) is ready to rain down hail stones to keep her. Amidst all this how do these two Gerald and Charlotte manage to be together is what the plot unravels in this 110mins runtime captivating drama. Now while I cant let the cat outta the bag, I can guarantee you all that the final twist makes it worth the watch.
Hit me with your views on the movie.
Thursday, 9 February 2012
Hard Decision
No doubt Cameroonian video film productions have a long way to go; however productions such as Hard Decision 1 & 2 by Molimi Cletus fill 0ne with hope.
A simple story about a young girl (Besumbu) who loses her father and is confused between two eligible suitors. Something happens and she goes mad and the power of love is revealed from either men.
Now as much as I commend the efforts we had a lot of technical issues such as poor continuity and camera management, the screenplay pulled on too long in the first quarter of the film and the dialogues lacked the crispiness that would have given an extra bounce to the production.
The acting needed serious time investment. Fioretta Cleare does her role as Besumbu well Molimi Cletus who played Ndip one of the suitors was too mechanical. Sah Keneth does his bit as Eboka one of the suitors but the other actors really struggle with dialogues and emotion.
Nevertheless the effort is commendable and i think it would make a great viewing. Go check it out!
A simple story about a young girl (Besumbu) who loses her father and is confused between two eligible suitors. Something happens and she goes mad and the power of love is revealed from either men.
Now as much as I commend the efforts we had a lot of technical issues such as poor continuity and camera management, the screenplay pulled on too long in the first quarter of the film and the dialogues lacked the crispiness that would have given an extra bounce to the production.
The acting needed serious time investment. Fioretta Cleare does her role as Besumbu well Molimi Cletus who played Ndip one of the suitors was too mechanical. Sah Keneth does his bit as Eboka one of the suitors but the other actors really struggle with dialogues and emotion.
Nevertheless the effort is commendable and i think it would make a great viewing. Go check it out!
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